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2008 Highland Dance Competition Results    
Highland Dance

Judge: Elizabeth Weaver, St Louis, MI
Piper: Bill Weaver, St Louis, MI

Primary
Beginner 7 & Under 9
Beginner 9 Years & Over
Novice 8 & Under 10 Years
Novice 10 & Under 12 Years
Intermediate
Premier 9 & Under 13 Years
Premier 16 & Under 16 Years
Premier 16 Years & Over



Primary:

  1st 2nd 3rd 4th 5th
Fling: 115 114 117    
Pas de Basques: 115 114 117 116 111
PDB & HiCuts: 115 116 117 118 110
Sword: 115 110 114 117  
           
110:  K. Jensen          
111:  C. Rosenval          
114:  F. Schwartz          
115:  L. MacFarlane          
116:  D. MacFarlane          
117:  T. Arthur          
118:  A. Arthur          

Thank you to Highland Xpress for donating the Primary gifts

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Beginner 7 & Under 9 Years:

  1st 2nd 3rd 4th
Fling: 120 125 122  
Sword: 125 120 122 121
Seann Triubhas: 120 121    
Lilt:   120 121    
Aggregate Trophy: S. Berkman      
         
120:  S. Berkman        
121:  C. Johnson        
122:  M. Stewart        
125:  S. McCormick        

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Beginner 9 Years & Over:

  1st 2nd 3rd 4th
Fling: 137 135 139  
Sword: 139 137 136  
Seann Triubhas: 135 139 138  
Lilt:   137 139 135  
Aggregate Trophy:  E. Briggs      
         
135:  C. Cameron        
136:  C. Beveridge        
137:  S. Chordigian        
138:  C. Bennett        
139:  E. Briggs        

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Novice 8 & Under 10 Years:

  1st 2nd 3rd 4th
Fling: 147 145    
Seann Triubhas: 147 148    
Lilt: 147 148    
Flora:   147 148    
Aggregate Trophy:  K. McNicoll      
         
145:  C. Jensen        
147:  K. McNicoll        
148:  A. Colemere        

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Novice 10 & Under 12 Years:

  1st 2nd 3rd 4th
Fling: 150 151 152  
Seann Triubhas: 150 151 153  
Lilt: 153 150 151  
Flora:   150 153 151  
Aggregate Trophy:  C. Vega        
         
150:  C. Vega        
151:  K. Palmer        
152:  B. Bennett        
153:  K. Stoker        

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Intermediate:

  1st 2nd 3rd 4th 5th
Fling: 165 164 161 160 167
Seann Triubhas: 161 168 164 166 165
Johnny: 161 167 165 160 168
Hornpipe:   161 166 160 168 165
Aggregate Trophy:  C. Rosenvall        
           
160:  C. Taylor          
161:  C. Rosenvall          
164:  B. Morrill          
165:  T. Schwartz          
166:  K. Arthur          
167:  H. Epstein          
168:  E. MacNeil          

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Premier 9 & Under 13 Years:

  1st 2nd 3rd 4th
Fling: 172 171 174 173
Seann Triubhas: 172 174 171 173
Johnny: 174 171 175 173
Hornpipe:   172 171 174 175
Aggregate Trophy:  G. Schwartz      
         
171:  K. Finnegan        
172:  G. Schwarta        
173:  C. Barney        
174:  K. Campbell        
175:  B. Strong        

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Premier 16 & Under 16 Years:

  1st 2nd 3rd 4th
Fling: 185 183 181  
Seann Triubhas: 185 183 181  
Johnny: 180 181 185  
Hornpipe:   185 181 182  
Aggregate Trophy:  E. Johnson      
         
180:  C. Webber        
181:  T. Patterson        
182:  A. Brimhall        
183:  M. Abrahamson        
185:  E. Johnson        

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Premier 16 Years & Over:

  1st 2nd 3rd 4th 5th
Fling: 192 196 195 193 194
Seann Triubhas: 192 197 196 193 195
Johnny: 193 192 196 197 195
Hornpipe:   192 195 194 197 196
Aggregate Trophy:  K. Macnaughton        
           
192:  K. Macnaughton          
193:  S. Isenman          
194:  K. Yamashita          
195:  C. Aguirre          
196:  K. Crane          
197:  E. Dietrich          

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The Las Vegas Celtic Society would like to congratulate all the dancers who participated at the 2008 Highland Games.  We look forward to seeing you April 18-19, 2009! 


A Bit of History ........Highland Dance

Scottish Highland Dancing

Dating back to before recorded history, the Highland Dances of Scotland were originally highly athletic male dances of triumph, joy, and other reflections of emotion. Competitive Highland dancing as we know it began during the revival of interest in Highland culture during the 19th century. Women first began competing at the turn of the century. Highland dances require both athletic and artistic skill and are danced both informally and in competition.

In competition, dancers are judged on three elements: timing, technique and general deportment.

Timing is the dancers ability to follow the rhythm of the music.

Technique concerns the dancers footwork and the coordination of head, arms and hands. Good positioning of the feet is most important.

General Deportment concerns the dancers interpretation and ability to capture the spirit and motif of the dance and includes balance, overall appearance, bearing and carriage of the head, arms, body and hands. Upright posture is essential, and the dancers must exhibit a happy demeanor. Although the dances are very athletic, they must be danced with seeming ease, with no signs of strain and free of elaborate showiness.

For competitive purposes, each dancer is ranked according to one of five groups: Primary, under 7 years of age; Beginner until winning 6 different contests; Novice, until winning 6 more competitions; Advanced Intermediate, for one year from date of last Novice competition; and the big leagues, Open or Premiere. There are age classifications in each group.

History behind the 3 main Scottish Dances

THE HIGHLAND FLING

As with the Sword Dance, this is probably the oldest of the traditional dances of Scotland - signifying victory following a battle. It has been said that warriors danced the Fling around a small round shield called a 'targe'. Most targes had a sharp spike of steel projecting from the center, so dancers learned early to move with great skill and dexterity. Another interpretation has the dancer celebrating a successful stag hunt, the upraised arms and hands representing the antlers of a deer.

THE SWORD DANCE

The Sword Dance is mentioned in documents going back to the reign of Malcolm III, King of Scots in the eleventh century. Known in Gaelic as "Canmore", "Great Head", he allegedly danced over his bloody claymore, (the ancient two-handed sword of Scotland), crossed with the sword of his defeated enemy (or perhaps even over the severed head of his foe as well). Sometimes a dirk, a Highland dagger, was placed blade uppermost in the ground and the dance was performed over it.

THE SEANN TRIUBHAS

Pronounced "shawn trews", this Gaelic phrase means "old trousers". After the Jacobite Rising of 1745 and the subsequent defeat of the Highlanders at Culloden the following year, the British Government passed an Act banning Highland dress (except in Highland regiments). Forty years later, the Act was repealed. This dance depicts a man celebrating the fact that he no longer has to wear his hated trousers but can return to the freedom of the kilt.

Highland Dancing was originally used as calisthenics for the troops. It is the oldest form of folk dancing. Modern ballet and square dancing can trace their roots to Highland dancing. To be performed well it requires aerobics, balance, flexibility and strength.

   
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